Curated works
A portrait can be direct, guarded, playful, formal, or almost turned away. What matters to me is whether the picture holds a real meeting between the person and the camera. Sometimes that comes through eye contact, sometimes through a silhouette, and sometimes through what the sitter keeps back.
Collection Note
I try not to reduce anyone to a type, and I don't crowd the frame to make it more dramatic. The best portraits leave some things open. The works below are several ways in: a direct gaze, a face half hidden, strong tonal contrast, and quieter pictures that take longer to reveal themselves.
Prints
Selected works from this collection are available as carefully produced prints, with attention to tone, paper, and long-term care.
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