
Moonrise Over Monsampolo del Tronto
The moon rising over the Gran Sasso, seen from Monsampolo del Tronto. The land takes up the bottom third, the sky darkens toward the top, and the moon sits small in the upper right.
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Fine Art Photography by Teus Renes
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Collection
Mountains, canyons, fields, and big skies.
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The moon rising over the Gran Sasso, seen from Monsampolo del Tronto. The land takes up the bottom third, the sky darkens toward the top, and the moon sits small in the upper right.

A tulip field near Noordwijkerhout in late April, in full bloom. Yellow, red, pink, and white tulips stretch into the distance.

Dawn on the Kalmthout heath in April. The sun comes up behind a single pine while the mist is still lifting, and for a few minutes the light swallows the shape of the tree.

A lone tree on the open Savuti Plains in Botswana, photographed in black and white in 2017.

The Gran Sasso above Monsampolo in 2011. The snow line separates the farmland of the Marche below from the bare rock above. Black and white.

Cloud pulling away from the north face of the Eiger, seen from Wengen. A single cow in the meadow below shows how big the mountain is.

Angkor Wat reflected in the still water of the moat just before sunrise. The reflection is almost symmetrical but a little darker than the temple above it.

Light from above follows the curved layers of Antelope Canyon, turning the sandstone into bands of line and tone.

A heavy shaft of rain falls from dark cloud near a distant mesa. The desert is a thin strip at the bottom and the sky fills the rest. Black and white.
Collection
Animal portraits and moments in the field.
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A zebra mare and her calf in Botswana. The calf is still small enough to fit under its mother's head, and both are watching the same thing.

A bull in Botswana photographed against the low sun, reduced to a dark silhouette on a golden sky.

A lioness and her cub in Botswana, both watching something outside the frame. The cub stays close to its mother but is clearly curious.

Two zebras in South Africa standing so close that their stripes run together. Black and white.

A lion cub and a young lion playing in the late afternoon light in Botswana, 2016.

A giraffe against a pale, washed-out sky in South Africa. Printed high-key in black and white, so its patches carry the picture.

A hippo in Uganda breaking the surface of the river, with water running off its skin. Black and white.

A black-and-white photograph of a baboon walking through grass in Uganda, with her baby clinging underneath.

An African elephant walking across open ground in Botswana, photographed in black and white in 2016.
Collection
People at work, at home, and on the street.
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Two people crossing Lake Bunyonyi in a small boat in the early light, with a second boat disappearing into the mist behind them.

A village gathering under a thatched roof in Uganda, photographed from a respectful distance. People stand and talk with each other and pay the camera no attention.

A group of men playing cards in Monsampolo del Tronto, heads down and hands close. Each player keeps an eye on the others while pretending not to.

A child in Chiang Mai looks at a few blades of grass with total concentration, in front of a plain bamboo wall. She hasn't noticed the camera.

A street in Ortuka, Northern Uganda, June 2012, photographed in black and white.

An older couple standing in the doorway of a shop in Paris, January 2010. Black and white.

A busy tea market on the shore of Lake Bunyonyi, Uganda, in 2013: people carrying, trading, and loading tea. Black and white.

A family standing outside their mud house with a thatched roof in rural Uganda, June 2012. Black and white.

A child standing in the doorway of a mud house in rural Uganda, 2012, lit from outside with the dark interior behind. Black and white.
Collection
Buildings, stations, streets, and cities at night.
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A tunnel in Berlin with a row of arches getting smaller toward the far end, where the light is. In black and white it looks older than it is.

The Brooklyn Bridge at dusk, just before full dark, with its cables leading to the stone tower and the Manhattan skyline lit up behind it.

The Art Deco entrance of the Chrysler Building in Manhattan, photographed close up: polished metal, stepped geometry, and the pattern of the doors.

The Eiffel Tower and the gilded dome of Les Invalides in Paris, both lit up at twilight.

The walls, ceiling, and lights of a modern corridor in Mechelen, Belgium, forming converging lines in black and white.

A black-and-white detail of De Rotterdam, Rem Koolhaas's stacked towers on the Maas, cropped until the facade becomes a grid of lines and glass.

The Piazza del Popolo in Ascoli Piceno, Italy, at dusk in 2015, with the colonnades lit and the last of the evening light in the sky.

A priest walking through a band of warm light under the colonnade of St. Peter's Square in Vatican City, 2011.

Two reddish-brown residential towers at the 2e Katendrechtse Haven in Rotterdam, photographed against a clear blue sky.
Collection
Every subject, in black and white.
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A close portrait of a fisherman on the banks of the Nile in Uganda. At this distance a portrait only happens if both people agree to it. Printed in sepia.

An old Singer sewing machine in a room in Botswana, worn from years of use and still working.

A field near Kalmthout in November fog. Almost all the detail is gone and only the trunk, the spread of the branches, and a faint horizon are left.

A person walking through a Rotterdam underpass covered in graffiti, silhouetted against the daylight at the far end. The columns and overhead lights lead the eye out.

In black and white, Antelope Canyon comes down to layered rock and one bright opening. The sweeping lines in the sandstone were cut by water.

Tangled fibres caught on a wire, photographed close up in black and white, April 2010.

The shadow of a railing falling across stone stairs, April 2010. Black and white.

A pigeon on a ledge in front of an old brick wall. The depth of field is shallow enough that the wall turns into texture. Black and white, 2010.

Thin trees and reeds become a row of dark and light strokes under a low, misty horizon. Black and white.
Collection
Faces, gestures, and people looking back at the camera.
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A portrait built around colour: the auburn of the hair and the green of the eyes. Rotterdam, December 2012.

A black-and-white portrait of a woman with her long hair covering part of her face, Rotterdam, December 2011.

A low-key portrait of a man in glasses, mostly in shadow. What is left out of the light matters as much as what is in it.

A woman looking straight into the camera in black and white. She doesn't smile or invite you in; she just lets you look. Rotterdam, December 2011.

A studio portrait styled after early film stills: a veiled headpiece, pearls, and a downward gaze. The light was set up so that parts of the face stay in shadow.

A Swiss Guard at his post at the Vatican looks back at the camera, patient rather than welcoming. The uniform is centuries old in design; the man wearing it is not.

A black-and-white portrait of an older man smiling broadly in Amuria, Uganda, 2012.

A wirehaired dachshund photographed in black and white, April 2012.

A White Swiss Shepherd playing in the falling snow in January 2013. Black and white.
Collection
Close details of water, leaves, bark, and stone.
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A single dewdrop hanging from the tip of a green leaf, photographed close enough that the leaf's surface looks like a landscape.

A detail of Santiago Calatrava's roof at Liège-Guillemins station: amber steel ribs against a blue sky, divided by a single curved spine.

A water droplet on a leaf in black and white: a sphere, a surface, and the point where they meet. Without colour, the picture is about shape.

A strand of barbed wire in front of autumn leaves in Etten-Leur, Netherlands, with the colour thrown out of focus behind it.

Morning dew on blades of grass in the Netherlands, photographed close up in May 2012.

A water droplet clinging to a plant in Kalmthout, Belgium, photographed close up in black and white in May 2010.

A close-up of a dandelion seed head in black and white, 2010, where the seeds and their fine hairs make a radiating pattern.

A male mallard photographed close enough to see the green of the neck feathers turn blue as the angle changes.

Dew drops along the threads of a spider web, photographed close up in October 2011.
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